“Who am I to argue with the lady?” says Courfeyrac, already running his finger down the wine list. When the waiter returns, he orders a bottle of Syrah from Provence, quipping, “A taste of home, forgive the indulgence. I grew up not very far from this winery, if memory serves.”
“I was going to ask where you’re from. Provence?” Midge says, trying to have a conversation while deciding what to order. “That’s in the south of France, isn’t it?”
Despite her mother being a Francophile, Midge’s own knowledge of France is limited.
Lucky for Midge, Courfeyrac has grown used to answering questions about French geography, and he only smirks briefly at her question. "Yes, in the south--near Marseille, to be exact, in my case. As a general rule, I don't believe in nostalgia, but when it comes to wine--" He offers a 'what can you do?' sort of shrug.
“More’s the pity. Paris has infinite charms, but there’s nothing like the South in the summertime.”
He folds his hands in front of him and leans forward slightly. “Because nostalgia is a trap. It tempts a person to long for the past when they should be looking towards the future. See here, ask anyone who says ‘things were simpler back then’ when, exactly, ‘back then’ was, and their answer will inevitably encompass the time they were a child. Quod erat demonstrandum, the world was simpler because they were a child, not because it was in better in some measurable, objective way.”
“I can always go back,” she says, leaving it at that. Midge isn’t asking for an invitation, of course.
“Aren’t you a philosopher?” Midge teases with a smile. “What if it’s not about things being better or simpler, but just about wanting to return to a time when you were happy? Being an adult isn’t all it’s cracked up to be.”
“But that’s exactly it,” Courfeyrac says with growing exuberance. “People make assumptions about the world, even decisions about other people’s lives, based on their childhood happiness.”
Courfeyrac is briefly interrupted when the wine comes, transforming into someone polite and mannered as they go through the ritual of tasting and approving the bottle.
Then he's back at it. "Besides, not all childhoods are pleasant, even those that people may remember fondly."
It’s fascinating how Rene can switch from speaking about something so philosophical to being so genial with the waiter about the wine. It reminds her that he’s a law student, not just some silly Frenchman trying to woo her with words and wine.
“I haven’t thought about that,” Midge says. “If I’ve ever made decisions based on my childhood happiness, I certainly didn’t realize I was doing it.”
She raises her glass of wine to him. “What are we drinking to, Monsieur?”
“Freud would say we do all sorts of things because of our childhoods without realizing it,” says Courfeyrac with a grin. Psychoanalysis isn’t something he actually puts much stock in. “But it’s less about individuals. When governments act in nostalgia, that’s when the real trouble starts.”
He swirls his wine around, considering. “How about this-“ he holds out his glass, “to devestatingly charming new friends.”
“L’chaim,” she replies, clinking her glass against his, then sipping the wine. Midge nods her approval. “Good choice.”
“Freud would also say that you want to fuck your mother and that cocaine is good for concentration.” A wry smile. “Do you think the American government is nostalgic for twenty or thirty years ago? The war? The Depression?” Not particularly happy times in the history of this country.
cw: mention of antiblack violence, outdated language
“Twenty years? Perhaps not. But thirty or forty?” He shrugs and gives his wine glass another swirl. “I think that plenty of people on both sides of the Atlantic would like to forget the war entirely so that they could return to a time when women didn’t want jobs, colonial subjects knew their place, and—when it comes to this country—Negros could be lynched with impunity.”
Well, that’s sobering. Midge puts her glass of wine down on the table. Rene’s serious side is certainly on display tonight. Did they ever decide if this was a date or not?
“I hope Kennedy doesn’t want that,” Midge says quietly. “Otherwise, I’ll be upset that I wasted my vote.” She brightens slightly. “Did I ever tell you that I made Jackie Kennedy cry once?”
It’s hopefully a change of topic without making it completely obvious that that’s what she’s doing.
Almost immediately, Courfeyrac realizes that he has gone just a little too far. He does that sometimes—allowing his enthusiasm to push him past the line of what might be considered appropriate for any given situation. He doesn’t always care, of course, and often even enjoys the shock he can bring to people’s faces.
But tonight, he is trying to charm Midge, so he takes the hint.
“I think you may be more optimistic than I am about what a millionaire from Boston can do with the presidency, but I sincerely hope you’re right, cherie.”
All right, he mostly takes the hint.
But he lets the subject shift, raising his eyebrows. “And here I always assumed she was not allowed to cry, or show any emotion besides placid contentment. What did you do, Midge?”
She doesn’t mind discussing serious topics, although there is a time and a place for them. Tonight, it’s probably better to keep things light.
She finds that she likes the way that he says her name. With his accent, it sounds like ‘Meege’. “I made several jokes about unfaithful husbands that must have hit home,” Midge says with a raise of her own eyebrows. “Not my intention.”
The waiter returns to take their order and Midge goes first. “Coq au vin.” Yes, it has bacon in it. No, they’re not going to discuss that. Be glad she didn’t go for the steak, Rene.
“Oh, I’m sure it wasn’t,” says Courfeyrac with a laugh. He isn’t entirely sure he believes her—how, after all, do you unintentionally stumble into a faux pas like that. “But you’re leaving out the important bit: how did you end up performing for the Kennedys in the first place?” While he’s polite enough not to say it, he has to wonder how one goes from a gig like that to performing at a seedy nightclub.
As for dinner—well, Courfeyrac doesn’t know a damn thing about Kosher dietary restrictions and doesn’t blink an eye at her order. “Contre Filet Roti, s’il vous plait,” he says, because he is a show-off.
Also because he speaks fluent French. Hopefully the waiter does too. Midge offers him a little “Merci” before he leaves.
“It wasn’t!” Midge says, her face full of indignation. “I mean, it wasn’t my intention to make her cry.” Jokes are always intentional. She gives a shrug at his question. “Susie knew somebody and they wanted a comedian for the fundraiser. The guests were all women, so…” Clearly, she was the best choice.
“How did you end up in the United States for law school?” It’s something she’s been wondering about for a while.
“A lot of people ask me that,” Courfeyrac says. “Americans are so very fascinated with France. Don’t misunderstand me, I love my country. But France thinks it’s the center of the world, and it hasn’t been for hundreds of years.” He shakes his head. “No, America is the center of the world now, for better or worse. No one who truly wants to change the world can afford hanging around Europe these days. So here I am.” He spreads his hands.
Midge thinks it’s pretty optimistic of him to want to change the world so radically, particularly starting in the United States. Anti-communism is strong here, and most uneducated people lump socialism in with communism without a second thought.
“I think I’d rather be in France,” she says. “Is it true that the French don’t like Americans?”
“That’s easy to say when you haven’t lived through a war there,” Rene points out. He had still been a child when the war ended, but its effects continue to haunt the country.
Still, he speaks without rancor, and at her question, he laughs. “Why shouldn’t we? You are all far too loud and you have absolutely no taste,” he teases. “But in all honesty, I don’t think most people care that much. They dislike tourists, perhaps—but who doesn’t?”
It’s true, and she’s fortunate that she didn’t. What she experienced in America was bad enough, and that was mostly sacrifice, not a destruction of her home and society.
“I don’t like tourists either,” she agrees with a shrug. “So you plan to stay here after you finish law school?”
“That is the plan, though I do like to keep my options open. Now,” he lifts his eyebrows, “as much as I enjoy talking about myself, I wouldn’t be any sort of gentleman if I made this dinner all about me. So tell me, Midge, what’s something about yourself that you don’t share in your comedy routine?”
Why is she not surprised that the spotlight has been turned back around on her? Midge rolls her eyes playfully and takes a sip of the wine, contemplating his question.
“I hate peas,” she says, her tone as if she’s imparting some great secret to him.
If he wants a real answer, he’s going to have to deal with a few stupid ones first.
“Oh! Oh dear,” says Rene without missing a beat. He takes a sip of his wine and looks her over with mock-concern. “And is this aversion the result of some childhood trauma too terrible to share on stage?”
Midge nods sincerely. “I can’t believe I admitted it to you here tonight. It’s one of my darkest secrets, along with the fact that I read the New York Post.”
Technically, both of her admissions are true. Fortunately, she reads other papers as well.
"Oh, you mustn't speak ill of the Post. I recommend it to everyone," Courfeyrac says with mock-seriousness. "There's no better source of comedy in the entirety of New York City."
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Despite her mother being a Francophile, Midge’s own knowledge of France is limited.
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Settled on what she wants to order, Midge puts the menu down on the table. “Why don’t you believe in nostalgia?”
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He folds his hands in front of him and leans forward slightly. “Because nostalgia is a trap. It tempts a person to long for the past when they should be looking towards the future. See here, ask anyone who says ‘things were simpler back then’ when, exactly, ‘back then’ was, and their answer will inevitably encompass the time they were a child. Quod erat demonstrandum, the world was simpler because they were a child, not because it was in better in some measurable, objective way.”
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“Aren’t you a philosopher?” Midge teases with a smile. “What if it’s not about things being better or simpler, but just about wanting to return to a time when you were happy? Being an adult isn’t all it’s cracked up to be.”
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Courfeyrac is briefly interrupted when the wine comes, transforming into someone polite and mannered as they go through the ritual of tasting and approving the bottle.
Then he's back at it. "Besides, not all childhoods are pleasant, even those that people may remember fondly."
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“I haven’t thought about that,” Midge says. “If I’ve ever made decisions based on my childhood happiness, I certainly didn’t realize I was doing it.”
She raises her glass of wine to him. “What are we drinking to, Monsieur?”
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He swirls his wine around, considering. “How about this-“ he holds out his glass, “to devestatingly charming new friends.”
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“Freud would also say that you want to fuck your mother and that cocaine is good for concentration.” A wry smile. “Do you think the American government is nostalgic for twenty or thirty years ago? The war? The Depression?” Not particularly happy times in the history of this country.
cw: mention of antiblack violence, outdated language
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“I hope Kennedy doesn’t want that,” Midge says quietly. “Otherwise, I’ll be upset that I wasted my vote.” She brightens slightly. “Did I ever tell you that I made Jackie Kennedy cry once?”
It’s hopefully a change of topic without making it completely obvious that that’s what she’s doing.
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But tonight, he is trying to charm Midge, so he takes the hint.
“I think you may be more optimistic than I am about what a millionaire from Boston can do with the presidency, but I sincerely hope you’re right, cherie.”
All right, he mostly takes the hint.
But he lets the subject shift, raising his eyebrows. “And here I always assumed she was not allowed to cry, or show any emotion besides placid contentment. What did you do, Midge?”
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She finds that she likes the way that he says her name. With his accent, it sounds like ‘Meege’. “I made several jokes about unfaithful husbands that must have hit home,” Midge says with a raise of her own eyebrows. “Not my intention.”
The waiter returns to take their order and Midge goes first. “Coq au vin.” Yes, it has bacon in it. No, they’re not going to discuss that. Be glad she didn’t go for the steak, Rene.
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As for dinner—well, Courfeyrac doesn’t know a damn thing about Kosher dietary restrictions and doesn’t blink an eye at her order. “Contre Filet Roti, s’il vous plait,” he says, because he is a show-off.
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“It wasn’t!” Midge says, her face full of indignation. “I mean, it wasn’t my intention to make her cry.” Jokes are always intentional. She gives a shrug at his question. “Susie knew somebody and they wanted a comedian for the fundraiser. The guests were all women, so…” Clearly, she was the best choice.
“How did you end up in the United States for law school?” It’s something she’s been wondering about for a while.
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Midge thinks it’s pretty optimistic of him to want to change the world so radically, particularly starting in the United States. Anti-communism is strong here, and most uneducated people lump socialism in with communism without a second thought.
“I think I’d rather be in France,” she says. “Is it true that the French don’t like Americans?”
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Still, he speaks without rancor, and at her question, he laughs. “Why shouldn’t we? You are all far too loud and you have absolutely no taste,” he teases. “But in all honesty, I don’t think most people care that much. They dislike tourists, perhaps—but who doesn’t?”
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“I don’t like tourists either,” she agrees with a shrug. “So you plan to stay here after you finish law school?”
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“I hate peas,” she says, her tone as if she’s imparting some great secret to him.
If he wants a real answer, he’s going to have to deal with a few stupid ones first.
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Technically, both of her admissions are true. Fortunately, she reads other papers as well.
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